3 edition of Russia On Reels: The Russian Idea in Post-Soviet Cinema (KINO: The Russian Cinema) found in the catalog.
Published
October 1, 1999
by I. B. Tauris
.
Written in English
| The Physical Object | |
|---|---|
| Format | Hardcover |
| Number of Pages | 256 |
| ID Numbers | |
| Open Library | OL8627077M |
| ISBN 10 | 1860643892 |
| ISBN 10 | 9781860643897 |
so, the most cursory glance at Walkin’s book shows that, although he emphasized the emergence of what he called constitutional government and of extended civil liberties, he was under no illusion about tsarism itself, referring throughout to Nicholas’s. Contemporary Russian Culture Books Search this Guide. Contemporary Russian Culture. Home; Consuming Russia: Popular Culture, Sex, and Society since Gorbachev Russia on Reels: the Russian Idea in Post-Soviet Cinema by Birgit Beumers (Editor) ISBN: Date: Overkill: Sex and Violence in Contemporary Russian Author: Alena Aissing.
"No Glory, No Majesty, or Honor: The Russian Idea and Inverse Value." Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers (): "Body Graphics: Tattooing the Fall of Communism." Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Ed. Adele Barker () German version "Körperzeichnungen. The Russian view, rarely heard in the West, begins with post-Soviet hopes that crumbled as desires for the new era went disregarded. Part 6 of our series “ Navigating Uncertainty.” Melanie.
The purpose of this guide is to facilitate researching Russian and Soviet cinema in the variety of online and printed resources at University of California, Berkeley Library. The guide contains a large selection of databases, books, and reference material. The history of Russian animation is the film art produced by Russian animation makers. As most of Russia's production of animation for cinema and television were created during Soviet times, it may also be referred to some extent as the history of Soviet remains a nearly unexplored field in film theory and history outside Russia.
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Russia on Reels: The Russian Idea in Post-Soviet Cinema (KINO - The Russian and Soviet Cinema) by Birgit Beumers (Author)Cited by: This is the first book to deal exclusively with Russian cinema of the s.
It introduces readers to the currents and common interests of contemporary Russian cinema, offers close studies of the work of filmmakers like Sokurov, Muratova and Astrakhan, reviews the Russian film industry in a period of massive economic transformation, and assesses cinemas function as a/5(9).
This is the first book to deal exclusively with Russian cinema of the s. It introduces readers to the currents and common interests of contemporary Russian cinema, offers close studies of the work of filmmakers like Sokurov, Muratova and Astrakhan, reviews the Russian film industry in a period of massive economic transformation, and Price: $ Russia on reels: the Russian idea in post-Soviet cinema.
[Birgit Beumers;] -- "Russia on Reels focuses on the effect of the collapse of the Soviet Union on Russian cinema and its films. The unifying motifs for the contributors -- from Russia, Britain and the United States Free 2-day shipping.
Buy Kino - The Russian and Soviet Cinema: Russia on Reels: The Russian Idea in Post-Soviet Cinema (Paperback) at iews: 3. Looks at Russian cinema of the s, describing the currents and common interests of contemporary Russian cinema and studying the work of filmmakers such as Sokurov.
A review of the industry in times of economic change is included, with an assessment of its function as a definer of Russia's new identity.
Russia on Reels: The Russian Idea in Post-Soviet Cinema by Birgit Beumers (, Paperback). About Russia on Reels. Film writers and scholars from Britain, Russia and the United States provide the first - scholarly and enjoyable - account of modern Russian cinema after the collapse of the Soviet Union.
Birgit Beumers, editor. "Russia on Reels: The Russian Idea in Post-Soviet Cinema.". Titled The Russian Idea, its thesis is recapitulated in Kovalov’s synopsis reprinted in Russia on Reels. Essentially, Selianov and Kovalov are more interested in continuities between pre- and post-revolutionary Russia than in perceiving a decisive break from a Russian to a Soviet identity presented in cinema.
Russia on Reels: The Russian Idea in Post-Soviet Cinema. Abstract. Beumers, B. (Ed.) (). Russia on Reels: The Russian Idea in Post-Soviet Cinema. (First ed.) (KINO: The Russian Cinema Series). I.B. is the first book to deal exclusively with Russian cinema of the s.
It introduces readers to the currents and common. Russia on Reels The Russian Idea in Post-Soviet Cinema. KINO: The Russian Cinema Series. by BEUMERS, Birgit.Paperback. Light wear to covers and slight signs of use but a good, clean, tight copy.
Used; Good. Download PDF: Sorry, we are unable to provide the full text but you may find it at the following location(s): (external link)Author: PJ Cavendish. Her publications include Burnt by the Sun (), Nikita Mikhalkov (), PopCulture: Russia.
() and, as editor, Russia on Reels: The Russian Idea in Post-Soviet Cinema () and 24 Frames: Russia and the Soviet Union (). She is editor of the online journal KinoKultura and of the journal Studies in Russian and Soviet Cinema.
This book explores developments in the Russian mass media since the collapse of the USSR in Complementing and building upon its companion volume, Television and Culture in Putin's Russia: Remote Control, it traces the tensions resulting from. The Post-Soviet Russian Media: Conflicting Signals (BASEES/Routledge Series On Russian And East European Studies) (), PopCulture: Russia.
() and, as editor, Russia on Reels: The Russian Idea in Post-Soviet Cinema () and 24 Frames: Russia and the Soviet Union (). She is editor of the online journal KinoKultura and of the. The Russian playwright Anton Chekhov offers possibly the best introduction to a discussion of nostalgia and its meaning in Russian culture.
His major plays The Seagull (), Uncle Vanya (), The Three Sisters () and The Cherry Orchard () deal with the melancholy of the characters as they face the passing of one age and the arrival of new times; they long for the past and fear the Author: Birgit Beumers.
Birgit Beumers is Reader in the Russian Department, Bristol University. Her publications include Burnt by the Sun, Nikita Mikhalkov and Russia on Reels: The Russian Idea in Post-Soviet Cinema (as editor), all from She is Editor of KinoKultura, the online film journal.
This book explores developments in the Russian mass media since the collapse of the USSR in Complementing and building upon its companion volume, Television and Culture in Putin's Russia: Remote Control, it traces the tensions resulting from the effective return to state-control under Putin of a mass media privatised and accorded its first, limited, taste of independence in the Yeltsin.
Iampolski gained a BA in at the Moscow Pedagogical Institute and a PhD in French Philosophy in at the Russian Academy of Pedagogical Sciences. He has taught at Harvard University, University of Lausanne, and at the Moscow State Institute of Cinema Arts.
Too often, the story of post-Soviet Russia is presented through a Western prism as a clash of good Westernizers and evil reactionaries, or as a lamentation about Author: Serge Schmemann.Russia On Reels: The Russian Idea in Post-Soviet Cinema.
avg rating — 9 ratings — published — 2 editions/5.Birgit Beumers is Reader in the Russian Department, Bristol University. Her publications include Burnt by the Sun, Nikita Mikhalkov, and Russia on Reels: The Russian Idea in Post-Soviet Cinema (as editor), all published by I.B.
Tauris. She is on the Editorial Advisory Board of Tauris' KINO Series.5/5(1).
